SIMPLE BIBLIOGRAPHY:

Griffiths, Gareth. “Silenced Worlds: Language and Experience in Amitav Ghosh’s The Hungry Tide.” Kunapipi, vol. 34, no. 2, 2012, pp. 105–112.

Pilia, Nicola. “Dwelling, Dispossession, and ‘Slow Violence’ in the Time of Climate Change.” Il Tolomeo (Online), vol. 22, no. 1, 2020, https://doi.org/10.30687/Tol/2499-5975/2020/22/024.

Prabhu, Gayathri. “Retelling Nature: Realism and the Postcolonial-Environmental Imaginary in Amitav Ghosh’s The Hungry Tide.” Transnational Literature, vol. 7, no. 2, 2015, p. 1–.

Prabhu, Gayathri. “Retelling Nature: Realism and the Postcolonial-Environmental Imaginary in Amitav Ghosh’s The Hungry Tide.” Transnational Literature, vol. 7, no. 2, 2015, p. 13–.

Prasad, Murari. “Interfacing Diaspora with Ecological Humanities in Amitav Ghosh’s The Hungry Tide.” Asiatic, vol. 14, no. 1, 2020, pp. 273–85.

Rath, Arnapurna, and Milind Malshe. “Chronotopes of ‘Places’ and ‘Non-Places’: Ecopoetics of Amitav Ghosh’s The Hungry Tide.” Asiatic, vol. 4, no. 2, 2010, pp. 14–33.

Tomsky, Terri. “Amitav Ghosh’s Anxious Witnessing and the Ethics of Action in The Hungry Tide.” Journal of Commonwealth Literature, vol. 44, no. 1, 2009, pp. 53–65, https://doi.org/10.1177/0021989408101651.

To compile this simple bibliography, I used Onesearch, google scholar, and Gale Literature databases. To maximize the relevance of search results, I played around with keywords. For instance, when I directly entered ‘memory’, as a keyword, I got little to no relevant articles. To combat this, I entered the names of the characters, Nirmal and Kanai, time, patterns, physical history, social history, repetition, silent feedback, loops, etc. To further categorize my sources, I skimmed through abstracts to rectify that the interaction with the novel remained relevant. I tried different routes and approaches to target the different elements in the formation of memories and their necessary intervention and relay information. In changing courses a few times, I managed to balance different forms of memory, but also the literary, historical, and physical elements to it.